I recently acquired this exemplary piece of craftsmanship and I was as impressed with its mintiness of condition as with the quality of its build and sound.
This 1995 model is in emerald green, though often I see a lovely petrol-blue(sp?) irridescence within its sparkle finish. Body is poplar, neck basswood.
Some years ago a previous owner had Parker(U.S.) fit its present Seymour Duncan pickup combo of jazz(neck) and JB(bridge). Until then it had had its "Gen 1" Dimarzios. Warm, clear and fruity is the sound: reminds me vaguely of somewhere beyond my PRS Custom 24 and my old Patrick Eggle Berlin Pro.
It also has the original ribbon wiring and switching: single-coil mix in middle position with the magnetic pickups; stacked tone control on the piezo controls. I personally favour this configuration over the "refined" version.
Apart from a minor concern with the nut(its present 10 trem spring and a too-low nut suggest it had been set up for 10-gauge but with a poorly-cut nut) I am delighted and surprised at just how superior an instrument this is:
It came to minus its 9-spring and Torx rod-aduster...but to be frank, the last time I saw a guitar neck so stable was in a(my) Status Graphite bass.
I recently was blessed by having several gos on a 2010 Mojo Midi: I personally prefer the neck profile on my Fly Deluxe..ever so slightly slinkier. I have to say also that not only are the switching configs just right for me personally: the actual quality of the switches themselves seems higher on this 1995 model than on the Mojo Midi I played.